Hairspray

Fat Ham background
Hairspray
July 10 – September 12, 2026
HAIRSPRAY

Single tickets are not yet available. Subscribers get Premium Orchestra seats and save up to 51%.

Hairspray

Musical/Broadway

On Stage

July 10 – September 12, 2026

Tickets: $35 – $135

Buy a Subscription
Single tickets are not yet available

Final performance: September 12, 2026

Call 415.677.9596 to buy tickets by phone.

San Francisco Playhouse • 450 Post Street • Union Square

Hairspray

Book by Mark O’Donnell & Thomas Meehan • Music by Marc Shaiman • Lyrics by Scott Wittman & Marc Shaiman

It’s 1962 in Baltimore, and the lovable plus-size teen, Tracy Turnblad, has only one desire – to dance on the popular “Corny Collins Show.” As Tracy rises to stardom, she uses her newfound platform to challenge racial segregation on the show, inspiring a movement that will change the face of television forever. With its infectious rhythms, colorful characters, and uplifting story, Hairspray is a joyous celebration of diversity and the power of standing up for what’s right.

Winner of 8 Tony Awards including Best Musical

“Stocked with canny, deliriously tuneful songs… ‘Hairspray’ is as sweet as a show can be without promoting tooth decay.” The New York Times

Play Details

Created by Created by
Book by Mark O’Donnell & Thomas Meehan
Music by Marc Shaiman
Lyrics by Scott Wittman & Marc Shaiman
Venue Venue
San Francisco Playhouse, 450 Post St., San Francisco CA 94102
Est. Run Time Est. Run Time
2 hours, 45 mins. One 10–minute intermission
Performance dates Performance dates
July 10 – September 12, 2026

PERFORMANCE SCHEDULE

Day of week Matinee Evening
Monday - -
Tuesday - 7:00 pm
Wednesday 2:00 pm 7:00 pm
Thursday - 7:00 pm
Friday - 8:00 pm
Saturday 3:00 pm 8:00 pm
Sunday 2:00 pm -

Note: View the official calendar for full schedule including special performances.

ACCESSIBLE PERFORMANCES

For blind and visually impaired audience members, San Francisco Playhouse partners with Gravity Access Services to offer live audio description and haptic access tours for selected performances.

About the Creators

THOMAS MEEHAN received the Tony Award for co-writing the book for The Producers in 2001 and in 2003 for co-writing the book for Hairspray. He received his first Tony Award in 1977 for writing the book of Annie, which was his first Broadway show, and has written the books for the musicals Rocky, Elf the Musical, Cry-Baby, Young Frankenstein, Chaplin, Bombay Dreams, I Remember Mama, Ain’t Broadway Grand and Annie Warbucks. In addition, he was a long-time contributor of humor to The New Yorker, an Emmy-Award winning writer of television comedy, and a collaborator on a number of screenplays, including Mel Brooks’ Spaceballs and To Be Or Not To Be. Mr. Meehan was also a member of the Council of the Dramatists Guild. He and his wife, Carolyn, divided their time between a home in Nantucket and an apartment in Greenwich Village, near which, on Hudson Street, she owned and presided over the long-running and near-legendary children’s store Peanut Butter & Jane.

MARK O’DONNELL’S plays include That’s It, Folks!, Fables for Friends, and The Nice and the Nasty (all produced at Playwrights Horizons), and Strangers on Earth and Vertigo Park (both produced by Zena Group Theatre). He wrote the book and lyrics for the musical Tots in Tinseltown. Mr. O’Donnell collaborated with Bill Irwin on an adaptation of Moliere’s Scapin. and he co-authored a translation of Feydeau’s A Flea in Her Ear, both for the Roundabout. For Manhattan Theatre Club he translated Jean Claude Carriere’s La Terrasse. He has published two collections of comic stories Elementary Education and Vertigo Park and Other Tall Tales (both Knopf) as well as two recent novels Getting Over Homer and Let Nothing You Dismay (both now in Vintage paperback). His humor, cartoons, and poetry have appeared in The New Yorker, The New York Times, The Atlantic, Spy, The New Republic, and Esquire, among many others. He has received a Guggenheim Fellowship, the Lecomte du Nuoy Prize, and the George S. Kaufman Award.

MARC SHAIMAN has been writing music, lyrics, arrangements, orchestrations and very lengthy Emails since entering show business at the age of 16, at LaMama, in 1976.

Mr. Shaiman has been nominated for two Tony Awards (winning one for co-writing the score to Hairspray with co-lyricist Scott Wittman), four Grammy Awards, (winning one for The Original Cast Recording of Hairspray), eleven Emmy Awards (winning one for his work on Billy Crystal’s Academy Award hosting) and if he hadn’t lost each of his five Oscar nominations (for “Sleepless In Seattle”, “Patch Adams”, “The First Wives Club”, The American President” and “South Park-Bigger, Longer & Uncut”), he could boast of being an EGOT. Till then, he remains a EGT.

Mr. Shaiman’s other film work includes “Beaches”, “When Harry Met Sally”, “City Slickers”, “The Addams Family”, “A Few Good Men”, “Sister Act” (1 & 2), “Hocus Pocus”, “The Bucket List” and “Parental Guidance”, to name a few. He and Mr. Wittman were Executive Producers of the successful film adaptation (not remake!!) of their musical Hairspray.

Besides Hairspray, his and Mr. Wittman’s other original Broadway musicals are the Tony-nominated Martin Short: Fame Becomes Me and the Tony-winning Catch Me If You Can, while Off-Broadway productions include The High-Heeled Women, Livin’ Dolls and Andre De Shields’ Haarlem Nocturne. Broadway concert credits are “Peter Allen-Up In One”, Bette Midler’s “Divine Madness”, Ellie Greenwich’s “Leader Of The Pack” and “Patti LuPone On Broadway”.

SCOTT WITTMAN co-wrote (with Marc Shaiman) the lyrics for the Olivier Award wining musical Hairspray, for which the pair received Tony and Grammy Awards. He also served as an executive producer on the hit film starring John Travolta. They teamed up again on Broadway for Martin Short: Fame Becomes Me, which he also directed, and Catch Me If You Can, which received a Tony nomination for Best Musical. For their original songs on NBC’s musical drama “Smash”, Scott & Marc were nominated for two Emmy Awards, a Grammy and a Golden Globe. On SMASH they have composed songs for Jennifer Hudson, Uma Thurman, Bernadette Peters, and Liza Minnelli. Their original score for the Marilyn Monroe musical Bombshell was released on Sony Records. Scott co wrote the lyrics to “Charlie and Chocolate Factory” directed by Sam Mendes, currently playing to sold out houses at The Theatre Royal Drury Lane in London’s West End. For Patti LuPone, Scott has created and directed two Broadway shows, three recordings and three sold-out Carnegie Hall concerts. At La Mama, Scott conceived and directed “Jukebox Jackie” starring Justin Vivian Bond, Cole Escola, Steel Burkhardt and Bridget Everett. He collaborated with Shaiman on new songs for Disney’s “Mary Poppins Returns”, directed by Rob Marshall. He and Shaiman received on Oscar nomination for the song “The Place Where Lost Things Go”, featured in the film.

The show is on stage six days a week; Tuesday through Sunday. Showtimes are as follows:

Tuesdays at 7:00 P.M.
Wednesdays at 2:00 P.M. and 7:00 P.M.
Thursdays at 7:00 P.M.
Fridays at 8:00 P.M.
Saturdays at 3:00 P.M. and 8:00 P.M.
Sundays at 2:00 P.M.

Showtimes may vary. Always consult the official show calendar or call 415.677.9596 for updated dates and times.

Tickets range from $35 to $135, although prices may fluctuate depending on date, showtime, and demand. Discounts are available to season subscribers.

Hairspray opened in Seattle in 2002 and was invited to perform on Broadway in under nine months. Within one year, Hairspray won eight Tony Awards, including Best Musical, Best Book, and Best Score.

San Francisco Playhouse's auditorium is on two levels: Orchestra and Mezzanine/Balcony. Our intimate 199-seat theatre has only nine rows in the Orchestra, meaning every single seat is close to the stage.

San Francisco Playhouse seat map chart

 

San Francisco Playhouse is located at 450 Post St., San Francisco CA 94102. The theatre is located on the second floor of the Kensington Park Hotel. Patrons may access the venue using the elevators or stairs in the hotel lobby.

San Francisco Playhouse is ADA accessible. The theatre is located on the second floor and can be accessed by two elevators from the lobby level. Wheelchair and companion seating are located on the theatre's mezzanine level.

We do not offer onsite parking, and the hotel's valet is only available to guests of the Kensington Park Hotel. To reserve a parking spot with SpotHero, visit the San Francisco Playhouse SpotHero Parking Page. Limited street parking is also available.

We recommend taking BART or Muni to San Francisco Playhouse. We are four blocks from the Powell Street BART/Muni station — just a seven-minute walk.